The Yokes of Our Choosing – A Review of the Klipsch X12 Neckband

The Klipsch X12 Bluetooth Neckband is decidedly on the warm, smooth side of the tuning spectrum. Technical mastery is not the aim here, but rather easy listening and powerful musicality. Klipsch finds a wonderful harmony between vibrancy and relaxation, where transients have some punch, but everything ebbs and flows like a body of water. It does an excellent job of creating that live rock concert feel. The balance allows for tremendous bass, yet clear, articulate vocals, with enough air in the upper registers to give you a sense of atmosphere.

Treble, like everything here, is warm and smooth. If there are peaks, they are gentle and serve only to bring out the details a little. It does a decent job of highlighting textures, achieving a degree of resolution many monitors in this price range fail to reach. The X12’s treble may not extend as high up the graph as some IEMs, yet it is tight and has the ability to come to some form of edge when called for. There’s more energy here than you’d expect from such warmth, and it keeps the X12 from tending towards darkness. You’ll hear no harshness or sibilance, for these are supremely forgiving earphones.

Both male and female vocals are lush and velvety with admirable clarity. There’s a sweet, rich taste to them. Vocal detail is not paramount, though there is a good helping of it, and voices sound quite realistic because of this. Medium in size, they stand neither large, nor overly small on the stage. Note weight is moderately thick and tangible. The X12 renders such lovely mids, with a surprising measure of transparency and air. Artists sound so very natural and just damn good. Instruments have a warm, organic tonality and vibrant color.

X12’s bass is where the wow factor lies. It’s here to impress, and shit does it fulfill that purpose. Striking hard, it rumbles like the best of them, blooms and flowers and fills the stage with the energy of the piece. Mid-bass shoulders over all other frequencies with a rounded hump, coloring the music in warmth. Sub-bass has strong presence of its own, giving visceral authenticity to the show. Yet these lows are not terribly flabby. They do all this with a level of control and speed which seems incongruous with how much warmth they generate. X12 articulates its bass with plenty of texture and detailing. We get true sub-bass here, with tones that go DEEP. I’m talking about a skull-rattling low-end when the song demands it. All this, along with the highs and mids, from a single Balanced Armature. Madness!

Soundstage is strictly head-sized. Nothing too grand or exciting here. But due to the medium size of the elements and decent separation, it feels like there’s plenty of space. You won’t feel claustrophobic, that’s for sure. Resolution is good for the price, and better than some IEMs I’ve reviewed lately. It suits the presentation as a whole, but no, it won’t compete against top of the line gear. Overall transparency is a little better than average. Due to the soothing nature of the profile, the comfort of the Neckband, and the moderate clarity, the X12 has a way of disappearing from thought quite easily.

Since I don’t have any other Bluetooth IEMs against which to compare the X12, I’ll talk about some competitively priced wired pieces.

The FLC8s ($355), using the Black, Red, and Gunmetal filters, is very close in tuning to the X12. It’s my favorite setup for these monitors. And they are indeed a true sonic upgrade. No question about it. Treble is cleaner and extends higher up the spectrum, bringing in more light and air. Vocals in turn have greater clarity and transparency, sounding more realistic by a good margin. While the X12’s bass is impressive as hell for a BA, nothing quite beats the naturalness of tone and impact of a dynamic driver, which FLC implements for its low frequencies. There’s less mid-bass and more sub-bass, delivering a tighter, more detailed low-end, with less coloration of the mid-range. Using these filters, though, the bass is still immensely satisfying, perhaps even more so than the X12. It’s a close call.

Oriveti’s New Primacy ($299, Review HERE) is even closer to the X12. It’s less of an upgrade, if indeed it’s one at all. NP is less energetic or vibrant, presenting a very laid-back style. It does seem to have slightly better treble extension, giving a little more light to the stage. The mids between NP and X12 are incredibly close. However, I think I prefer the X12’s sense of resolution and texture. NP can come off wooly at times. As for bass, I prefer the X12’s quantity, but can’t help favoring New Primacy’s tonal quality. Again, this comes down to how much better a dynamic driver handles these frequencies. Still, Oriveti uses more mid-bass and not enough sub-bass for my ideal signature, so it’s really a mixed bag as to which IEM I like more.



Picture of Pinky Powers

Pinky Powers

Pinky is an artsy twat. Illustration, graphic design, writing. Yet music escapes him, and always has. He builds his own cables, and likes to explore the craftsmanship of others. He's a stabby one, also. At the first hint of annoyance, out comes the blade. I say he's compensating for something... in a big bad way. If we all try really hard as a collective, maybe we can have him put down.


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