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The Earsquake PIXI is yet another small portable headphone that pursues fashionable aesthetics and a minimalistic form factor in lieu of comfort and isolation.
The Earpollution ThrowBax attempt to emulate the venerable Panasonic RP-HTX7 but with the price point of the Panasonics coming down into the lower $30 range over the past year, buying the Earpollution version makes little sense.
Though I am not particularly fond of the sound of the HD-AK1000, they do little wrong for an inexpensive, consumer-oriented set
The Soundmagic P20 is a competitive budget-level headphone, boasting appealing portability, impressive balance and clarity, and reasonable build quality.
Yet another reasonably-priced piece of portable audio equipment from Meelectronics, the HT-21 is a set that places as much emphasis on convenience as it does on sound.
The build and sound quality of the Arctic Sound headphones may not be quite as brilliant as those of sets from better-known manufacturers but for those in search of a DJ-style headphone on the cheap, the P281 is not the worst choice out there.
Like dB Logic’s EP-100 IEM, the HP-100 provides a likable sound signature in a convenient and handsome form factor.
While not nearly as impressive from a sound quality perspective as the pricier ATH-ES7 and ATH-SQ5 models, the Audio-Technica FC700 is a solid entry-level closed can.
Originally priced at just $30, the KSC35 has been brought back into production at a new price point after being discontinued in 2005.
Despite Prodipe’s attempts too market the Pro 800 as a studio monitor, the thick and slightly colored sound of the headphones is undoubtedly far less suited for monitoring applications than mid-range sets from big name manufacturers such as Denon, Audio-Technica, and Ultrasone.
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