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From the very first listen, it is clear that Sennheiser didn’t risk messing with the established PX-series formula when updating the PX100.
Beyerdynamic’s answer to higher-priced ultraportables from AKG and Sennheiser, the DTX 300 p is a competent performer with a surprisingly reasonable price tag.
The Superlux HD668B is an incredible performer for those who put resolution and clarity above all else.
The Fischer Audio FA-004 was designed as a fun and easy-going consumer can and not a studio monitor, and it serves the purpose well.
The P30 commands a moderate price premium over Soundmagic’s older models but does so for a reason – it is built better, more isolating, more comfortable, and significantly better-sounding than either the P10 or P20.
Neutral, extremely clear, reasonably balanced, and surprisingly accurate, the HD428 is a very good mid-range headphone that extends Sennheiser’s already-formidable presence in the price tier.
Underneath the flashy colors and retro styling of the UrbanEars Plattan lies a reasonably competent mid-range headphone.
For a name as monumentally respected in the music world as Marshall, the Major disappoints, but only slightly.
There is no doubt that the Philips O’Neill SHO9560 is a very versatile portable headphone – lightweight, durable, and user-friendly all around.
A retro-themed on-ear headphone with contemporary performance, the Fischer Audio Oldskool ’70 is one of the more straightforward portables I’ve come across in a while.
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